Fewer Gestures

Simple Gestures, Landscapes, Plants (To -> Personal Tumblr)
-Enjoy.
cometasdepapel:

Encapuchados (2013) del artista puertorriqueño Javier Moreno. (Exposición de Artes Gráficas “Malas impresiones”)
Foto por: Zenaida Marie

cometasdepapel:

Encapuchados (2013) del artista puertorriqueño Javier Moreno. (Exposición de Artes Gráficas “Malas impresiones”)

Foto por: Zenaida Marie

(via revolucion94)

annajungdesign:

 

Audra Wolowiec.
Concrete Sound.

annajungdesign:

 

Audra Wolowiec.

Concrete Sound.

(via nrosendorf)

nrosendorf:

Otto Piene  Laasphe/Westphalia 1928
UNTITLED 1962   
 The smoke drawings are without ‚handwriting’. Anonymity of the author is widely sustained. My individual moods do not seek prominence; play a minor role only (except for heightened awareness, i.e., sensibility). I think that my artistic involvement, particularly because of my observing distance to my actions, is at least as strong as with drawing in a commonly accepted sense. It is above all in the observing, in the strategy of directing the means. I would gladly withdraw into the background even further, make my author’s individuality felt even less, let the force of light work even more authoritatively - in order to further suspend materiality and thusly gain greater freedom. I hope to reach - with a minimum of physical engagement, far removed from any drama - or space of silence, which - because it makes itself felt intensely - invites us to stay“ (Otto Piene in: Otto Piene, Ölbilder, Rauchzeichnungen, Lichtmodelle, Lichtballet, exhib.cat. Galerie Diogenes, Berlin 1960, quoted from: Ante Glibota, Otto Piene, Paris 2011, p.106).

nrosendorf:

Otto Piene  
Laasphe/Westphalia 1928

UNTITLED 1962   

 The smoke drawings are without ‚handwriting’. Anonymity of the author is widely sustained. My individual moods do not seek prominence; play a minor role only (except for heightened awareness, i.e., sensibility). I think that my artistic involvement, particularly because of my observing distance to my actions, is at least as strong as with drawing in a commonly accepted sense. It is above all in the observing, in the strategy of directing the means. I would gladly withdraw into the background even further, make my author’s individuality felt even less, let the force of light work even more authoritatively - in order to further suspend materiality and thusly gain greater freedom. I hope to reach - with a minimum of physical engagement, far removed from any drama - or space of silence, which - because it makes itself felt intensely - invites us to stay“ (Otto Piene in: Otto Piene, Ölbilder, Rauchzeichnungen, Lichtmodelle, Lichtballet, exhib.cat. Galerie Diogenes, Berlin 1960, quoted from: Ante Glibota, Otto Piene, Paris 2011, p.106).

nrosendorf:

Kapoor

nrosendorf:

Kapoor

(Source: ephemeralol)

kyanderson:

Ky Anderson72”x60” acrylic on paper2014
http://kyanderson.com

kyanderson:

Ky Anderson
72”x60” 
acrylic on paper
2014

http://kyanderson.com

(via coghweel)

onepainting:

Pius Fox: Eingang, 2013,Oil on paper, 24 × 17 cm
nancysayavong:

She’s got legs that go all the way up, 2011
acrylic, graphite on rice paper
14” x 8”
By: Nancy Sayavong

nancysayavong:

She’s got legs that go all the way up, 2011

acrylic, graphite on rice paper

14” x 8”

By: Nancy Sayavong

caille:

"Louvre, Paris, 1987"
Copyright Barbara Klemm

caille:

"Louvre, Paris, 1987"

Copyright Barbara Klemm

(via wavesofbarley)

li-lot:

Daniel Buren (French, born 1938)  White acrylic painting on white and anthracite gray striped fabric (1966)

li-lot:

Daniel Buren (French, born 1938)  White acrylic painting on white and anthracite gray striped fabric (1966)

(via arcticdub)

julianminima:

Zin Taylor 

julianminima:

Zin Taylor 

(via artpropelled)

markagoodwin:

http://markagoodwin.com/home/
markagoodwin:

Transitory 
http://markagoodwin.com/home/
24four:

Hélio Oiticica- Metaesquema- 1958
"Painting met its death sentence when the process of taking over the experimental started."
-Oiticica, “Experiment o experimental”

24four:

Hélio Oiticica- Metaesquema- 1958

"Painting met its death sentence when the process of taking over the experimental started."

-Oiticica, “Experiment o experimental”

(via jessiethatcher)

likeafieldmouse:

Ivan Navarro - Negative Progression (2008)

likeafieldmouse:

Ivan Navarro - Negative Progression (2008)

(via arcticdub)

li-lot:

Frank Stella (American, born 1936), Itata from the V Series (1968)

li-lot:

Frank Stella (American, born 1936), Itata from the V Series (1968)

(via museume)